![]() ![]() Not all of the character issues can be placed on the actors' shoulders. More than that, he possesses a desire to find and capture more of it in his reality. After all, Greg as a character seems to be driven by an inexplicable positivity. He brings that familiar optimism to Greg, which threatens to clash with the rest of the film at times, but generally works. It's not an easy task, but Hayek is able to balance those two contrasting sides of Isabel, and present audiences with a more or less cohesive character, despite some of the flaws in the script.Īs for Wilson, Amazon Studios' latest production is one of the actor's rare ventures into dramatic territory. Isabel herself is written as quite a varied character, one who can be eccentric and frightening in one moment, and apt and resolved in the next - she's a witch-like figure in the simulation and a respected scientist in the real world. ![]() Hayek's performance as Isabel is worthy of praise. RELATED: Liam Neeson Thriller The Marksman Misses Its Mark At least, that's how Wilson and Hayek play it. The conclusion of that exploration is very much left up to the interpretation of the audience, as even the characters themselves never seem to express any kind of certainty in the choices they make. Cahill's film appears to be more intent on telling a story and exploring the internal pursuit of happiness. The point of Bliss is obviously not to create an exciting, unique world for sequels or spin-offs to build on. ![]() It's fair to say that the explanations aren't necessary. In order to further stupefy the audience, Bliss bends the rules that it introduces. At one point, Isabel even acknowledges the strangeness of some of the things that happen and that they shouldn't even be possible, but the film never offers any kind of an explanation as to why they are. Bliss even begins to conflict with its own established rules at times, particularly in the explosive climax of the film. But then there are occasions when Bliss shifts focus to Emily, Greg's daughter, in scenes absent of Greg himself, hinting that Emily and the people she interacts with aren't simply generated people in a simulation. While that does all make for an undeniably interesting experience and a wonderfully thought-provoking ending, at times it can feel as though Bliss is trying too hard to feed a sense of mystery.Īs an example, minute changes occur in the background of certain scenes set in the simulated world, hinting that it's not real. Bliss hints at the truth of Greg's world but avoids confirming anything. The question that Bliss demands that you keep asking is, "What and who is real?" It toys with the language of film to throw viewers off when they're about to get a handle on things. ![]()
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